Konferenzen zum Thema Kommunikationswissenschaft in Großbritannien

AHRC (Arts & Humanities Research Council)

It is clear that listening encompasses a far greater range of hearing types than has heretofore been generally acknowledged. How may music and performance best address this wide range of aural diversities? What are the technical, aesthetic and sociocultural consequences of aural diversity for musical practice and theory? What are the aural skills that are required? What technologies exist or may be created to support musical engagement by aurally diverse practitioners and how may aurally diverse audiences be reached? What are the historical contexts and characteristics of aural diversity that have affected music? How may we envisage a new kind of music-making that encompasses every kind of listener? How may discussions of equality, diversity and inclusion be improved by awareness and acceptance of aural diversity?